Katarina Kostandinović lucrează ca asistent-curatoriat la Centrul Cultural din Belgrad (Departamentul Arte Vizuale), Serbia; este studentă în cadrul programului de master la Universitatea din Belgrad, Facultatea de Filozofie, departamentul de Istoria Artei Moderne. Ca asistent-curatoriat la Centrul Cultural din Belgrad a lucrat la numeroase expoziții începând din 2016 (When The Other Meets The Other Other, curator Biljana Ćirić, 2017; Miško Pavlović, The Road, The Line, The Wire, The Net, The Cage, 2017; Ivanka Prelević, A Dream Within A Dream, 2017; Ljiljana Šunjevarić, Migrations: Picture Of The Scene, 2016; Milorad Miša Mladenović, Direct Context, 2016). Din 2014, ca asociat, s-a implicat în expozițiile organizate de Muzeul de Artă Contemporană din Belgrad, Muzeul Orașului Belgrad și Centrul Cultural din Belgrad (56. October Salon, Centrul Cultural din Belgrad, Muzeul Orașului Belgrad, 2016; Upside Down: Hosting The Critique, Muzeul de Artă Contemporană din Belgrad, 2016; Interpolations 4 – Ljubica Cuca Sokić, Princess Ljubica‘s Residence, Muzeul Orașului Belgrad, 2014-2015). Scrie pentru Supervizuelna (revistă online de artă contemporană); Journal of Modern Art History Department, Facultatea de Filozofie, Universitatea din Belgrad; ARTUM: Art History Journal, Departamentul de Istoria Artei, Facultatea de Filozofie, Universitatea din Belgrad, revistă online; etc.
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Katarina Kostandinović works as an assistant curator at the Cultural Center of Belgrade (Fine Arts Department), Serbia; she‘s a MA student at the University of Belgrade Faculty of Philosophy, Modern Art History Department. As an assistant curator at the Cultural Center of Belgrade she worked on noumerous exhibitions since 2016 (When The Other Meets The Other Other, curatorial project of Biljana Ćirić, 2017; Miško Pavlović, The Road, The Line, The Wire, The Net, The Cage, 2017; Ivanka Prelević, A Dream Within A Dream, 2017; Ljiljana Šunjevarić, Migrations: Picture Of The Scene, 2016; Milorad Miša Mladenović, Direct Context, 2016). Since 2014, as an associate, she was onvolved in exhibitions organized by Museum of Contemporary Art in Belgrade, Belgrade City Museum and Cultural Center of Belgrade(56. October Salon, Cultural Center of Belgrade, Belgrade City Museum, 2016; Upside Down: Hosting The Critique, Museum of Contemporary Art in Belgrade, 2016; Interpolations 4 – Ljubica Cuca Sokić, Princess Ljubica‘s Residence, Belgrade City Museum, 2014-2015). She writes for Supervizuelna (online magazine for contemporay art); Journal of Modern Art History Department, Faculty of Philosophy, University of Belgrade; ARTUM: Art History Journal, Art History Department, Faculty of Philosophy, University of
Belgrade, online journal; etc. |